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Ticketmaster halts Taylor Swift ticket sales; Congress wants answers

Taylor Swift arrives at the 2022 MTV Video Music Awards held at the Prudential Center on August 28, 2022 in Newark, New Jersey

Taylor Swift’s 20-city, 52-date stadium tour is scheduled to begin in March in Arizona.
Photo: AFP

Ticketmaster is cancelling planned ticket sales to the public for Taylor Swift’s 2023 US concert tour as 3.5 billion ticket requests from fans, bots and scalpers overwhelmed the website with record demand.

Meanwhile, customer complaints mounted over high prices and poor service, and prominent members of the US Congress backed public pleas for the US Department of Justice (DOJ) to investigate Ticketmaster on anti-trust grounds.

The American singer’s highly anticipated Eras tour, her first in five years, had already set the entertainment industry abuzz. In the “presale” round on Tuesday, over 2 million tickets were sold, the most ever for an artist in a single day, Ticketmaster said.

Even so, the experience left many fans frustrated with long wait times and site outages, and many unable to obtain tickets.

It was not immediately clear when the remaining tickets might go back on sale.

Ticketmaster representatives did not respond to interview requests to answer the criticism, but the company, whose parent is Live Nation Entertainment, issued a statement acknowledging the difficulties encountered by fans.

Ticketmaster said a record 3.5 million people had registered as verified fans, the largest number ever. It said it had planned to invite 1.5 million of those to participate in the sale for all 52 show dates, including the 47 sold by Ticketmaster, with the other 2 million placed on a waiting list.

But the plan, it said, was undermined by attacks by ‘bots’ – automated software requests – and demand from those who had not previously registered.

“The staggering number of bot attacks as well as fans who didn’t have invite codes drove unprecedented traffic on our site, resulting in 3.5 billion total system requests, four times our previous peak,” Ticketmaster said. “Never before has a Verified Fan on sale sparked so much attention – or uninvited volume.”

Swift’s 20-city, 52-date stadium tour is scheduled to begin in March in Arizona and end in August with five shows at the 70,000-seat SoFi Stadium in Los Angeles.

The troubles prompted members of the US Congress to raise questions about the 2010 merger between Live Nation and Ticketmaster, which created a company that dominates the market.

“I’ve long urged DOJ to investigate the state of competition in the ticketing industry,” US Senator Richard Blumenthal said on Twitter on Thursday.

US Representative Alexandria Ocasio-Cortez linked to an online petition that urges the Justice Department to break up Ticketmaster.

A Justice Department spokesperson declined to comment.

In a letter to Ticketmaster, Senator Amy Klobuchar, chair of the Senate anti-trust panel, voiced “serious concern about the state of competition in the ticketing industry and its harmful impact on consumers”.

“Ticketmaster’s power in the primary ticket market insulates it from the competitive pressures that typically push companies to innovate and improve their services,” Klobuchar said. “That can result in the types of dramatic service failures we saw this week, where consumers are the ones that pay the price.”

Klobuchar asked Live Nation chief executive Michael Rapino to answer questions including how much the company had spent to upgrade technology to handle demand surges, and what percentage of high-profile tour tickets were reserved for presales.

Live Nation and Ticketmaster merged in a 2010 deal approved by the Justice Department, a deal that Klobuchar said she had been sceptical of at the time.

Ticketmaster has angered artists and fans for decades. In the mid-1990s, the grunge band Pearl Jam decided to tour without using Ticketmaster but found it too unwieldy and returned to the service after 14 months.

-Reuters




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Soundbites: ’72 Review Redux; New Music Videos From Father Figuer and Big Homie Wes | Music News + Views | Seven Days

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Bob Wagner - COURTESY OF LUKE AWTRY

  • Courtesy Of Luke Awtry
  • Bob Wagner

One of the first messages I received after taking the music editor post last year had the subject line “Hey, Shithead.” No “Nice to meet you” or “Hey, have you heard so and so?” Nope. Just a terse message accusing me of having feces for brains because I didn’t cover a concert that the reader thought I should have.

While the vast majority of correspondence I’ve received has been very positive, this one stuck with me for a few reasons. For one, I’d been on the job for all of two weeks. I’m not even sure how he found my new email address at that point! Dude was ready.

The show in question was indeed a local all-star affair, one of those giant, how-the-hell-is-he-going-to-pull-this-off shows that Bob Wagner just loves to produce, with 20 musicians and amazing performances of classic songs. I remember reading the email, even skimming over the part where my public school education was called into question (Hey, I’ll have you know that North Carolina is ranked No. 29 in public education in the U.S., sir! That’s basically a B- as far as I’m concerned, and I’ll take it!), and thinking, You know, this incredibly rude guy who just wondered if I ‘even like to rock’ actually has a point.

Not about me being a shithead — I’m a lovely guy, I swear! — but about the work and talent involved in these kinds of shows. Amid the colorful metaphors and f-bombs in his email, the reader stressed how lucky we all are to have musicians like Wagner — who, it should be noted, did not write the email — doing the hard work to make those big shows happen.

Well, Wagner is at it again, so this is my chance to avoid being bullied online. And to see a night of incredible music, of course. The über-busy guitarist, who is most often spotted onstage with Kat Wright and bassist Josh Weinstein in their current Americana-leaning format, is throwing another edition of his ’72 Review concert. On Wednesday, November 16 — the day this issue hits the stands — Wagner and his massive collection of friends take over the Higher Ground Ballroom to pay tribute to what America was listening to half a century ago.

Wagner and company held the first ’72 Review back in March at the South Burlington club. It was a rollicking affair featuring just about every big name in local music, including Josh Panda, Dwight + Nicole, Seth Yacovone, Craig Mitchell, Wright and so many others.

“When we did it last time, it was such a cool night. The vibe was incredible,” Wagner told me by phone. He added that Higher Ground holds dates open throughout the year for him to produce shows, “so I knew we’d run this one back. We’ve still got an insane lineup,” he went on, “but we’re doing all new songs, no repeats from the last show.”

Not only is ’72 Review a chance for Wagner to play some of his favorite music with some of his favorite musicians, but the show also offers him a chance to give back to the community.

“When I realized how close to Thanksgiving the show would be, I reached out to the folks at the Vermont Foodbank,” Wagner revealed.

How does one get more than 25 musicians onstage for a series of charity gigs, you ask? Between the eternal conundrum of artists having to scrap for every dollar and the financially fraught state of touring post-pandemic, Wagner admitted that it’s no easy feat.

“You have to get a little creative these days when booking stuff like this,” he said. Which he did by securing AARP Vermont as a sponsor. While there’s definitely a joke to be made about 50-year-old music being sponsored by AARP, the pairing makes too much sense to laugh at, especially considering the result is one hell of a loaded bill.

So be sure to pop over to Higher Ground for a night of killer songs played by some of our best talent. This shithead will be there.

Mea Culpa

Speaking of correspondence, perhaps you perused our Feedback section this week, starting on page 6? A recent online story I posted about the new Ben & Bucky’s Guitar Boutique in South Burlington caught a little flak in two letters to the editor, including one from Nowa Crosby, the owner of Shelburne’s Randolin Music.

Both correspondents were disappointed in my coverage of the new shop, particularly in my failure to challenge any assertion that Ben & Bucky’s offers a type of service no longer found at other Burlington-area instrument retailers. As Crosby pointed out, his business, originally based in downtown Burlington, offers many of the same services as Ben & Bucky’s and has been doing so for many years.

I’m not going to speak for everyone involved, but I’m pretty sure that Ben & Bucky’s owners, Ben MacIntyre and Adam Buchwald, intended no more disrespect than I did. It was just passionate guitar people talking about what they do. That said, I have to concede Crosby’s point.

It’s on me to challenge assertions and provide other commentary, and I failed to do that here. I’ve patronized Randolin in the past. I even bought a Takamine acoustic guitar from Crosby years ago when he worked as house luthier at the late, great Calliope, an instrument shop on Main Street in Burlington.

So, take note. There are no bad guys here, and no one is starting luthier beef. (That would be the worst reality show of all time.) I just should have taken a few sentences in the article to shout out Randolin and Crosby’s long history of serving the area. The good news? I’m doing that now. Check out Ben & Bucky’s and Randolin, because you can never have enough gorgeous guitars in your life.

Happy Returns

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99 Neighbors - COURTESY OF TYLER NETTLETON

  • Courtesy Of Tyler Nettleton
  • 99 Neighbors

We have a new date and location for the Love, Kelly fall fest, which was originally planned for October 7 at City Hall Park in Burlington and called off due to safety concerns. Now taking place at the Higher Ground Ballroom on Friday, December 9, the show features a slate of up-and-coming Vermont hip-hop artists, including North Ave Jax, 99 Neighbors and Hakimxoxo.

“It’s really special that we have overcome frustrations with the city and decided to team up for the greater good of the community,” the Love, Kelly team wrote in an email from Burlington City Arts, which is coproducing the show. “This reschedule is a moment of unity for our City.”

The original plan for a free, outdoor event became a subject of public concern because it had permits for no more than 300 people but seemed likely to draw higher numbers into the park. Now held at the club with a $5 ticket price, the sold-out show will donate all proceeds to a BCA fund that assists local artists in procuring studio space and equipment.

“These are young artists who care deeply about their community,” BCA executive director Doreen Kraft wrote in a press release. “Helping to connect these artists to audiences has been an integral part of BCA’s mission for 30 years.”

BiteTorrent

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Big Homie Wes - COURTESY

New videos dropping! First up is from Morrisville rapper Big Homie Wes. The MC celebrates his maturity and longevity with “Over a Decade.” In the classic hip-hop-inflected joint, Wes’ baritone flows easily over the beat as he lays down raps full of confidence and emotional maturity. “What I know has me wishing well for my rivals,” Wes intones as he bops around Brattleboro. Shout-out to the Turn It Up! record store, which makes a cameo as Wes flips through the stacks. Check out “Over a Decade” on YouTube.

Father Figuer have released a video for the track “Garden,” off their 2021 album Jack of All Fruits. Filmed by Ben Collins, band members Erin White, Elise Albertini and David Roche rock out in the woods, decked out in tuxedos, interspersed with shots of burning wood. Eventually, the musicians end up sitting on a bridge together and sharing a joint. Perhaps there’s some meaning in that, as they’ve announced on social media that their latest record, a self-titled EP that dropped in October, will be their final project based in Burlington.

One can never be too surprised when a young band leaves town; it’s almost a tradition here. But we’ll miss Father Figuer and hope to keep hearing great things about them from afar.


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‘private ministry is the thing that fuels your public worship’

(RNS) — CeCe Winans is known for her gospel-singing family and her award-winning contemporary Christian music.

But after more than four decades in that industry, Winans seeks to be a bridge-builder across generations, encouraging older folks to share their faith and life lessons with younger people who may or may not have darkened church doors.

At 58, the author of the new book “Believe for It: Passing on Faith to the Next Generation” is practicing what she’s preaching.

She and her husband, Alvin Love II, are founding co-pastors of the nondenominational Nashville Life Church but “Pastor Mom and Dad” have turned over the leadership of the multigenerational and multicultural congregation to their son, Alvin Love III.

“Believe for It: Passing on Faith to the Next Generation” by CeCe Winans. Photo by Five Pence Photography

“Believe for It: Passing on Faith to the Next Generation” by CeCe Winans. Photo by Five Pence Photography

“We have to learn that we can’t wait until people are perfect before they get into position,” Winans said in an interview. “It has been amazing. He has grown the church, but I just love the way he does things totally different than what we did ’em but yet it’s so much better. So, no regrets. Praise God.”

Winans also emphasizes intergenerational wisdom-sharing through the “Generations” YouTube show she co-hosts with her daughter, Ashley Phillips, and by featuring her mother, Delores Winans, in her Generations Live conferences. She also included then-19-year-old MDSN (pronounced “Madison”) on her “Believe for It” album, the focus of her concert tour, which restarts this spring.


RELATED: CeCe Winans first Black female soloist to win Artist of the Year at Dove Awards


Winans talked with Religion News Service about her hopes for opening doors for younger artists, what she’s learned from “church mothers” and why retirement is not on her mind, despite admitting she loves just staying home and spending time with her young grandson.

The interview has been edited for length and clarity.

Congratulations on recently being named Artist of the Year at the GMA Dove Awards. What did it mean for you that this came after you recorded “Believe for It,” the name of your most recent album as well as your new book, and after 40 years in music ministry?

Exactly. (laughs) Receiving that award was just — I don’t think I have the words — I was so honored, humbled, excited and really in shock. I wasn’t expecting it at all. But to have been out here for over 40 years and to still be welcomed — and not just welcomed but celebrated to that level — all I can say is: To God be the glory.

CeCe Winans accepts an award during the recent Dove Awards. Photo courtesy of Wander Creative

CeCe Winans accepts an award during the recent Dove Awards. Photo courtesy of Wander Creative

What do you think that recognition says about the state of the contemporary Christian music industry, given that you were the first African American female soloist to receive it?

Well, I think it’s a step, a big step in the right direction. And hopefully, it’s encouraging to see more diversity in our industry occupying all the different levels of award. I know there are extremely talented young people who are coming after me that will deserve that spot. And I feel good about that door being open so others can walk through as well.


RELATED: With first solo CD in 9 years, CeCe Winans keeps singing — and pastoring


Your new book focuses on your belief that older Christians can pass on their faith to young people. With a declining worship attendance across the United States, what advice do you have for the elders as they seek to do that?

Well, my advice is to get busy. As you get older, as you accomplish certain things, you kind of feel like you need to step back, you need to slow down. And it’s the total opposite. That’s totally contrary to what I believe God wants us to do as believers. As a believer, you never retire.

So this is an urgent cry. This is an urgent need for all of us as believers, especially those my age and older, to get busy pouring into the next generation. There’s somebody that you can pour into that’s coming up after you.

What do you say to younger people who may not be ready to listen to their religious elders?

It is time to listen. (laughs) We live in a society that does not honor elders enough. And that’s one of the commandments in the Bible, is to honor your mother and father, to respect your elders, and with that comes a blessing. And so this is an alarm for them to listen. Humble yourself. Seek out older people. As a teenager, I loved hanging out with the mothers of the church. I saw them walk out life in a total different way than the younger people did: They weren’t stressed. They weren’t full of anxiety. They weren’t full of fear. But they filled their lives with prayer. And because of that, they gained wisdom. And so, young people, if you’re going to have wisdom, if you really want to succeed in life, you got to listen to those who have already been there. 

You described your life as a “mix of sparkly, public successes and unseen, holy moments.” Could you briefly describe a key example of each?

“Believe for It: Passing on Faith to the Next Generation” by CeCe Winans. Courtesy photo

“Believe for It: Passing on Faith to the Next Generation” by CeCe Winans. Courtesy photo

Well, sparkly successes, we talked about the award shows and the Hollywood Walk of Fame, all the things that are on my bio. It’s a pretty impressive list (laughs) that I look at and say, “Really? Wow, how did this happen?”

But it’s the holy moments that really bring the meaning to the public successes. It’s fasting, praying and crying out to God, asking him what he wants us to minister and how he wants us to sing or who he wants us to go see. That’s really what life is all about. It’s those holy moments.

It’s laying down your life for your brothers and your sisters, making disciples. It’s the unseen part that fuels the seen part. The private ministry is the thing that fuels your public worship.

You say in the book that you are often a “verified homebody,” but you nevertheless have sung on Jim and Tammy Faye Bakker’s “PTL (Praise the Lord) Club” program, toured with your brother BeBe Winans and have had a solo career. What gets you back on stage, especially now with your newest album?

I’m not my own. This last record really struck a nerve. It really touched people where they needed to be touched really bad. I think (with) the pandemic, the isolation, the loss, the discouragement, people were ready to celebrate, they were ready to worship again, they were ready to praise God. I believe this record really encouraged people to believe again, to take out their faith, to wipe off their dreams.

So when management started talking about (how) they want us to go out and do this fall tour, and later on the spring tour, I was excited but not excited. I love being at home. I love working at the church. I’m a grandmom now. You know, that’s my favorite position and title. But I knew it was something I had to do.

You did mention not being ready to rest on your laurels after 40 years of ministry. So is retirement — I know you said generally people shouldn’t — but for you personally, is it a thought for you?

It’s not even a thought. (laughs) No, retiring is not anywhere to be found. I’m busy with the church, busy at home. And now I’m busy again in the music. And you know what? I wouldn’t have it any other way. Because all of it is for the glory of God, that we’re seeing lives change and people’s destiny changing, eternal destinies are changing. And so I’m excited about staying in the game, staying in the race.


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Fans at the N-Dubz concert in Bournemouth say fights broke out ‘everywhere we looked’

N-Dubz fans claim ‘fights broke out everywhere we looked’ at chaotic concert in Bournemouth during the band’s huge comeback tour

Fans at the N-Dubz concert in Bournemouth on Monday say fights broke out ‘everywhere we looked’ during the band’s huge comeback tour.

The hip-hop trio made up of Tulisa Contostavlos, 34, Dappy, 35, and Fazer, also 35, have been making their way around the UK for their arena gigs since joining forces once again earlier this year.

But some of those with tickets to the Bournemouth International Centre for 14 November took to social media to slam the gig.

Comeback tour brawls?  Fans at the N-Dubz concert in Bournemouth on Monday say fights broke out 'everywhere we looked' during the band's huge comeback tour

Comeback tour brawls?  Fans at the N-Dubz concert in Bournemouth on Monday say fights broke out ‘everywhere we looked’ during the band’s huge comeback tour

Fans reported multiple brawls breaking out and the music being stopped several times because of fights in the crowd.

TikTok user mac_rubes shared a clip to the social media platform to outline the string of events which made it an ‘eventful night’.

And it is claimed by at least two witnesses that people were urinating on both other people in the crowd and on the floor where fans were standing.

mac rubes wrote as a caption on top of various clips of the concert: ‘Let’s give you a run down of how the NDUBZ concert went…

Another fight! Fans reported multiple brawls breaking out and the music being stopped several times because of it

Another fight! Fans reported multiple brawls breaking out and the music being stopped several times because of it

Not pleased: TikTok user mac_rubes shared a clip to the social media platform to outline the string of events which made it an 'eventful night'

Not pleased: TikTok user mac_rubes shared a clip to the social media platform to outline the string of events which made it an ‘eventful night’

‘Before they had come out, there had been a fight between two different groups of women.

‘Security were about 12 and didn’t know what to do. Wes Nelson was the start up act, he had to stop singing.

‘Because some dirty excuse of a man had p****d on a women. So we think the dramatics are over? Well we was in Bournemouth so obviously not.

‘NDUBZ had been on stage five minutes – another fight. Music stopped. Dappy was fumingggg because some bird punched the girl as she was being dragged out.

Getting help: The N-Dubz fan wrote on TikTok: 'Two people have passed out. All three of them run around to get water and find medics!'

Getting help: The N-Dubz fan wrote on TikTok: ‘Two people have passed out. All three of them run around to get water and find medics!’

Disgusting: And it is claimed by at least two witnesses that people were urinating on both other people in the crowd and on the floor where fans were standing

Disgusting: And it is claimed by at least two witnesses that people were urinating on both other people in the crowd and on the floor where fans were standing

‘For no reason. Dappy trying to calm it all down. And getting p****d that they had to keep stopping. 20 mintues later, music is stopped again.

‘Two people have passed out. All three of them run around to get water and find medics! Fight three – music stopped, about 10 people windmilling each other. 

‘Leaving the venue. Fights everwhere you looked. What a dayyyy.’

It was only May that The Sun revealed N-Dubz was joining forces once again for their 11-date arena tour around the UK. 

MailOnline has contacted N-Dubz’s representatives for comment. 

Back in the day: Pictured together in 2009, the hip-hop trio made up of Tulisa Contostavlos, 34, Dappy, 35, and Fazer, also 35, have been making their way around the UK for their arena gigs since joining forces once again earlier this year

Back in the day: Pictured together in 2009, the hip-hop trio made up of Tulisa Contostavlos, 34, Dappy, 35, and Fazer, also 35, have been making their way around the UK for their arena gigs since joining forces once again earlier this year

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(Broadus) Family Affair: Inside Snoop Dogg and his Boss Lady’s Business Empire

Long Beach’s own Snoop Dogg is legendary for his laid-back yet biting flow, which makes any music he puts out or guests on ooze with languid cool. Snoop has always brought the badass without the belligerence, the hype without the hurry, allowing his words and vibe to glide and shine on record and on stage in a way that seems effortless yet fully expressed. This, coupled with his smooth persona and style, has made him one of the most iconic figures in hip-hop, a steady and seductive voice in a sea of bodaciousness that’s remained relevant for over three decades. But there’s one thing the D-O-Double GG has never, ever been chill about: his brand. Fo shizzle (we had to use it once!), Snoop Dogg, whose real name is Calvin Broadus, might be the busiest, most influential – and inspirational – hip hop mogul out there, with so many grassroots endeavors, companies big and small, high-profile collabs, diverse endorsements and novel ideas under his belt, it’s almost impossible to keep track, especially lately.

In the past few years alone, Snoop and his “Boss Lady” wife Shante Broadus – mother of his kids Corde, Cordell and Cori – have launched The Broadus Collection (a line of silk headscarves), Broadus Foods breakfast products (Snoop Loopz cereal and Mama Snoop pancakes), a TV show “Doggyland – Kids Songs and Nursery Rhymes,” and opened a store in December of 2020: Snoop Dogg’s Clothing (Snoopy’s Clothing on Instagram), just down the street from the Forum, home of his beloved Lakers and across the street from SoFi stadium, the new base for the L.A. Rams. After playing what many felt was the proudest Los Angeles music set ever at this year’s SuperBowl at SoFi, his legacy was cemented in a new way, even garnering an Emmy. If he wasn’t iconic already, he sure was after doing his “crip walk” alongside Dr. Dre, Enimem, 50 Cent and Mary J. Blige, clad in that snazzy blue and gold bandanna-print sweat suit (the actual get-up is on display at his store, and various versions of it are available for purchase).

Snoop Dogg

Everything Snoop touches turns to gold. (Courtesy 19 Crimes)

Snoop and his fam also bought Death Row Records – the label where his music first took off – this year, and they did it not too long after he announced an executive role at Def Jam Records as an artist mentor and investor. Both labels’ merch are represented in his store alongside stuff emblazoned with Snoop’s likeness, Doggystyle album art and his Dr. Bombay cartoon character. He’s constantly releasing new designs on clothing and home goods, available at the Inglewood store and online at Snoopermarket.com.

And then there’s NFTs. With help from his son Cordell, Snoop was an early adopter of web3 images via their Bored Ape non-fungible token designs including Bombay (Snoop) and Champ Medici (Cordell). Singapore’s Golden Equator Group just teamed up with the Broadus’s for a web3 fund dubbed “Welcome To The Block (WTTB),” which aims to raise $40-$50 million to invest in early-stage businesses in the blockchain. Cordell was introduced to crypto by the late Nipsey Hussle in 2017, and he got his dad into it soon after, debuting his first NFT collection on Crypto.com. It was a huge hit and kickstarted Snoop’s digital presence – he’s currently developing the “Snoopverse,” a virtual world on The Sandbox metaverse platform with his son’s help.

Death Row chic (Lina Lecaro)

Cordell likens the NFT scene to “the birth of hip hop – everybody with each other and just freestyling and making beats, and everything was just fun and new,” so it makes sense for his dad to have a big presence. The pair are also working with Sotheby’s auction house around NFTs for Death Row, hoping to make it “the first NFT music label in the metaverse.” Snoop and Shante’s vision for Death Row branding continues to grow in other ways too, such as 19 Crimes, his wine line, which just released a collab with his homegirl Martha Stewart and announced an upcoming Death Row flavor and label. He and Martha also worked together on a Bic lighters campaign this year.

“Ice-T once told me Snoop is the one who showed him it could be done. Now we see Mr. “Cop Killer” himself doing commercials for Cheerios and Tide,” observes hip-hop journalist Kyle Justice. “I think that’s part of the appeal. Snoop Dogg is a quintessential “American Dream” success story. He came from nothing and evolved into one of the most famous faces in the world. Snoop will be remembered not only for his inimitable voice on songs such as  Dr. Dre’s “Nuthin’ But A ‘G’ Thang” and the Doggstyle album but also for his willingness to think outside of the box. We won’t forget seeing him in a Dunkin’ Donuts commercial, eating Tostitos with Martha Stewart or riding around with a cartoon general for General Insurance. He’s Snoop. He does what he wants and will continue to pop up in the most unexpected places, meanwhile showing the next generation anything is possible. “

Snoop’s Super Bowl outfit at the Snoop Dogg store (Lina Lecaro)

We first met Snoop at an Adidas Coachella party, held at the Frank Sinatra Estate in Palm Springs, back in 2012. It was the night before his famous headlining set with Dr. Dre at the festival, the one that brought us the Tupac hologram. He was shockingly mellow heading into what would be one of the biggest historical pop culture moments of all time, but the joints he was smoking probably had something to do with it. We should probably add here that Snoop’s celebration and normalization of cannabis has been one of the most significant forms of activism in entertainment, and it surely helped the movement toward legalization.

Getting an actual interview with the man has been on our bucket list ever since we had that brief meeting. We’ve come close a few times, when he was promoting his gig as host of a new The Joker’s Wild game show, for example, but it never came to fruition. We finally got the opportunity at the launch party for the scarf line last month, held at the Broadus family’s salon Chateau Beauty Bar in Santa Monica. We got a few scoops from Snoop that night too, one of which just became public just last week: a Snoop Dogg biopic to be written by Wakanda Forever’s Joe Robert Cole and released by Universal Pictures, is currently in the works. When we ask who might play him, Snoop reveals, “I don’t know, it’s my life story… we gonna have to do a casting call,” getting closer to our phone mic and adding, “He’s out there, though. I know you’re out there little homie!”

The biopic comes on the heels of another big announcement last week: he just signed with William Morris Endeavor for representation in all areas of his career. “WME is the only place that can handle the career I’ve built and grow it even further,” Snoop said in a press statement. “I look forward to gettin’ it with the WME team to continue innovating across music, film, TV, business, and digital and break barriers across entertainment.”

The Broadus’s: Cordell, Cori, Shante and Corde (Courtesy Boss Lady Entertainment)

Snoop’s no stranger to Hollywood of course. He’s been in several films and TV shows over the years, and we just saw him in the Netflix Jaime Foxx vehicle, Day Shift, earlier this year. Before that, he hosted “Snoop Dogg’s ‘F*cn Around’ Comedy Special” as part of the Netflix is a Joke festival in L.A. We’ll see him next as a star and producer in the MGM’s comedy The Underdoggs, due out this time next year in conjunction with his Death Row Pictures banner. It tells the story of a former NFL superstar who, after a run in with the law, agrees to coach a youth football team in lieu of prison. Drumline‘s Charles Stone is directing with the screenplay is being written by scribes from Grown-ish and #BlackAF.

The story is inspired by Snoop’s own work in youth sports. He started a youth football team in 2005, and just announced a basketball league based in the LBC this year. And there’s even more on his plate: if you watch sports on TV you’ve surely seen him as the new face of Corona beer (he jokes their new slim cans should be “Snoop cans”); Funko figures in his likeness are about to drop hot very soon; and a Sketchers collab is in the works (as hinted in his IG recently). There’s surely more to come, too, as the Broadus empire continues to explode.

He’s the star, but she’s the boss (Courtesy Boss Lady Entertainment)

As his once-wild gangsta life has settled and his entrepreneurial hustle continues to get honed and elevated, the one thing King Snoop emphasizes most when we finally get to chat is his Queen, whom he officially announced as his manager last year. The long time love he and high school sweetheart Shante share has had its challenges over their 23 years of marriage – they even separated and talked divorce at one time – but their relationship has not only endured, it’s more solid than ever. He insists she is why he is where he is today, and it’s downright heart-warming to hear him talk about his woman and their family.

“She’s the backbone to the man,” Snoop shares with us as he gives his wife a squeeze. “I can’t do what I do unless I have stability and I have somebody who understands and gives me the room to be creative. Like, this is my wife and my friend. She’s allowed me to become Snoop Dogg and become the businessman I am, to be able to stretch out into the things that I do, without complaining. Holding my family down despite all the shit I did that was fucked up in the past. She remained solid and was there for me. So it’s only right that I say she is the backbone, not just by the side of me, but the backbone.”

The grounding influence of family inspires most of Snoop’s business decisions as of late. He sees the foods brands in particular, which he got into thanks to his pal Master P, as “something that will be here generation after generation, something that inspires my kids and my wife and my grandkids to continue to keep this legacy alive, and celebrate this family – The Broadus family,” adding a little louder, “Broadus, Broadus!… we want the name to live on and on and on.”

(Courtesy Broadus Collection)

According to the couple, familial love and struggle was the catalyst for the headscarf business. Snoop and Shante’s daughter Cori was diagnosed with Lupus at 6 years old, and when she began to lose her hair because of it, she wore scarves often. In solidarity, the whole Broadus family sported scarves along with her. Snoop has rocked locks, braids and an array of headwear over the years, and with his son and daughter opening the hair salon last year, the foray into head fashion was the next logical step. It’s one more thing that strengthens the Broadus business bond.

“The whole mission was inspired by my daughter, but we wear scarves all the time,” Snoop says. “We wanted to make something that was symbolic to us that we could wear. Not just sell, but be able to say I’m wearing some shit that’s cool and fly and meaningful.”

So what’s Snoop Dogg like as a dad you might wonder? “I mean, he was a cool dad,” Cori tells us via Zoom after the party. “We had our rules, we had our boundaries, we had consequences. And I always say, we grew up like regular kids, we just had the finer things in life. We still had our punishments, we still got our phones taken away… you know what I mean? I have a summer birthday, but if I had D’s or F’s, guess what? You done for summer. Consequences and discipline is everything, because that’s how you become grateful and appreciative of things that others may not have.”

(Courtesy Broadus Collection)

Cori admits that living in Snoop dad’s shadow wasn’t always easy in terms of finding her professional path, but she is driven to prove herself on her own terms right now. “My mindset is always okay, how can I be successful in my own way? My dad is successful in his way. We’re all successful in our own way. So I think, instead of trying to be just like him, and do exactly what he did, I try it my way,” she shares. “One thing he always told me was, ‘you got to be your own luck. I can’t be your luck.’ So I think you just got to work, work, work. You can’t expect nothing to come without putting work into it. And that’s what I learned growing up.”

In addition to being an aspiring singer, Cori has a makeup line called Choc Factory, and runs the salon with her brother. She also works on the social media pages for the Broadus Collection and the salon as well as her own brand. She’s always been into lip products and lip care so that’s her line’s focus, and it’s all marketed from the perspective of self-love, body acceptance and inclusion. Her message is uplifting and of course, much needed in the beauty industry.

Seeing her dad’s success and her mother helming it all, has got to be inspiring too. Shante founded Boss Lady Entertainment (BLE) a few years ago, but her workload is busier than ever. In addition to managing her husband’s music career and brand, she’s working on a memoir offering advice to enterprising women focused on the value of family. She also supervises the Compound, the family events space in Inglewood, which features music recording and studios, plus a basketball court and a room full of collectable cars (we got to see it firsthand at Snoop’s last listening event). The official announcement for Boss Lady’s latest role states that she’ll also “cultivate and fortify all upcoming partnership deals across the cannabis, spirits, gaming, music, brand partnerships, touring, licensing and TV/film space” and “oversee the media arm of Snoop Dogg’s empire, diGGital doGG – home to exclusive mobile apps, video games and a proprietary animation pipeline.”

(Courtesy Boss Lady Entertainment)

Zooming with Shante a couple weeks after meeting her, she reflects on her long relationship with her husband and how he always had something special that brands wanted to tap into. “You know, Snoop was hot when he first came out. A lot of people wanted to work with him,” she shares. “I remember Carl from Cross Colors used to send so much stuff to us for Snoop to brand and he started paying him to wear his stuff. And I remember the Saint Ides beer brand started working with Snoop to brand rep. Tommy Hilfiger was another one. In the early days, they all came for Snoop to represent their stuff. And we thought, why don’t we just start branding Snoop himself? That’s when we came out with the Snoop Dogg clothing.”

According to manager KaNisha Williams, the Inglewood store is the place to get all of the latest designs from the family’s various companies, presented in an “elevated boutique” atmosphere. We could definitely see this inviting, well-curated and organized shop on Robertson Blvd or Fairfax Ave., but it feels special right where it is for obvious reasons. Prices range from $6 for branded potato chips to over a grand for a limited edition sweatsuit. Williams says they drop new items every weekend and there are often lines outside when they do. New items coming are shared on the store’s IG, and often, Snoop himself tweets new products. Unique Christmas-themed items are on the way in the next few weeks. Last year’s “Merry Crip-mas” sweaters sold out immediately. Surprisingly to many, the store does not sell weed or any paraphernalia.

Snoop Dogg

It’s Snoop Dogg’s world, we just live in it. (Lina Lecaro)

While many in the media focus on Snoop’s cannabis consumption and he was one of the first to tout delivery services and the merits of daily smoking, Shante says they are stepping back right now with their weed brands, likely due to the industry’s current challenges. “We were in the business really deep,” she explains. “We’re pausing it right now, but it’ll be back soon.”

Like another marketing-savvy family – The Kardashians – the Broadus’ realized early that they could endorse other people’s products (for the right price) and their own, too. Also, like Kim K and co., Snoop realized the power of social media early on.  He is actually credited by the creators of Instagram as one of the first music figures to highlight the platform, helping make it the powerhouse forum it is today.

As other hip-hop moguls make moves high (Dre, Jay-Z) and low (Ye), Snoop remains a solid and aspirational Black business force who somehow keeps his vibe more accessible, his humor and current family man guise leading the way. His focus on the L.A. community where he came from is a big part of it too. The Doggfather is obviously very proud of his local legacy and how his kids are continuing to make it grow. “They didn’t get handed a green card that said ‘here, you in the game automatically,’ they had to do it on their own for a while,” Snoop tells us. “It’s fun watching them go through the struggle in the business and then put product in the business. Now I can just sit back and just watch and enjoy it.”

Snoop Dogg

(Courtesy Mount Westmore)

But he’s not sitting for too long. It all began with the music and the rap superstar, thankfully, shows no sign of slowing down in that arena, even with so many projects and plans to keep him busy. Dogg has continued to release new music consistently the past few years and a huge new collaboration was just announced last week: the West Coast’s very own supergroup, Mount Westmore – featuring Snoop, Ice Cube, E-40, and Too $hort. They just dropped their first official single, “Too Big,” a few weeks ago and will release their new album on December 9.

L.A. fans can also see Snoop share a bill with Megan Thee Stallion on Dec. 10 at the LA3C Festival (a two-day music, art and food festival celebrating “the rich culture and immense creativity of Los Angeles” at Los Angeles Historic State Park). And with the holidays in full swing, he’ll also be out there celebrating like only he can with a “Holidaze of Blaze” tour featuring guests T-Pain, Warren G and the Ying Yang Twins on select dates. Oh, and if you’re looking for unique Christmas gifts, his store has got you covered, with new drops every weekend. We’re on the waiting list for “Snoop on a Stoop,” his version of Elf on a Shelf that sold out immediately after he posted a photo on IG. For Snoop and his brood, it’s a wonderful life indeed.

 

 

 

 

 

 

 

 

This week’s LA Weekly print cover story.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Listen to DIIV cover My Bloody Valentine and Alex G on new acoustic live album

DIIV have released a new live album featuring tracks the band performed at an unplugged acoustic show more than half a decade ago.

The album, recorded during a gig at Brooklyn’s Murmrr Theatre in August of 2017, features new arrangements of songs from the band’s first two albums – 2012’s ‘Oshin’ and 2016’s ‘Is The Is Are’. Also featured are covers of My Bloody Valentine‘s ‘When You Sleep’ and ‘Hollow’ by Alex G.

“In August 2017 I was 5 months sober and DIIV hadn’t played a show in almost a year,” bandleader Cole Smith explained in a statement. “Our friend Ric helped us set up an intimate acoustic show in a theater in our hometown of Brooklyn. We decorated the stage with stuff from our houses and played our home videos on a TV.

“We invited our friends and family and played some songs from our first two albums and some other artists’ songs that felt important to us as a band. It felt like some kind of reset. We recorded the show and forgot about it for a bunch of years. We recently found the recordings and thought people might want to hear them.”

Watch DIIV perform ‘Dopamine’ live at the Murmrr Theatre – and listen to the album – below:

DIIV’s last studio album, ‘Deceiver’, arrived in 2019 after being previewed with singles ‘Skin Game’, ‘Taker’ and ‘Blankenship’.

“It’s tempting to say that ‘Deceiver’ truly excels at its heaviest, given that these moments… are the record’s most memorable. But it’s actually the more fragile moments on ‘Deceiver’ that ultimately prove to be the most emotionally resonant,” NME said in a four-star review. “This is an album about rebuilding and, finally, facing yourself.”




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Taylor Swift’s Ticketmaster Presale Causes Chaos Among Fans

Taylor Swift's 'Eras' Presale Causes Chaos Among Swifties — Including Stars
John Nacion/NurPhoto/Shutterstock

Taylor Swift’s Eras tour is already causing champagne problems before she even hits the road.

The “All Too Well” songstress, 32, announced earlier this month that she was embarking on her first concert tour in nearly five years, leading more than 3 million eager fans to register for Ticketmaster’s Verified Fan presale. (The Verified Fan program is a lottery system that allows music fans to secure concert tickets before the general on-sale date.)

Ticketmaster’s presale began early on Tuesday, November 15, as lucky fans who received a code waited in virtual lines for hours with the hope of purchasing a coveted ticket. As Swifties waited their turn, several became frustrated after meeting technical difficulties.

“MY TAYLOR CODE ISNT WORKING. WTF,” Busy Philipps tweeted on Tuesday, noting she had attempted to input the personalized Verified Fan number she received to no avail. “This truly sucks. Also, I used the link from the text just on a desktop. Aghhhhh.”

The Dawson’s Creek alum, 43, further noted that the website had “kicked her out” of the virtual queue when her code didn’t work. “YO! @TMFanSupport, my code ISN’T working! It says it’s invalid. WTH,” she wrote in a second Twitter message. “I have ONE JOB AS A MOM — to get these tickets — and you have ONE JOB as Ticketmaster! To give people working codes!!!!”

Ticketmaster ultimately canceled Swift’s general ticket sale, noting in a Thursday, November 17, statement that a record number of fans applied for Verified Fan.

“Due to extraordinarily high demands on ticketing systems and insufficient remaining ticket inventory to meet that demand, tomorrow’s public on-sale for Taylor Swift | The Eras Tour has been cancelled,” a tweet from the ticket agency read on Thursday.

The Eras ticket-buying saga has since annoyed many proud Swifties, who’ve taken to social media to voice their complaints.

“Just a girl … On hold with @ticketmaster … trying to get @taylorswift tickets,” Sarah Michelle Gellar wrote via Instagram on Thursday, referencing Julia Roberts’ Notting Hill monologue.

Charisma Carpenter, Rebecca Gayheart and Selma Blair all commiserated with the 45-year-old Wolf Pack actress’ quest. Blair, 50, even replied: “Oh. No. If YOU are waiting there’s no hope for mortals. ❤️

The Grammy Award winner, who has yet to address the Ticketmaster drama, announced her Eras tour on November 1 during an appearance on Good Morning America, revealing the concert would take a “journey through the musical eras” of her career — past and present. The first leg of the tour kicks off in Glendale, Arizona, in March.




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What To Wear To A Taylor Swift Concert: 10 Eras, 10 Complete Looks

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If you purchase an independently reviewed product or service through a link on our website, STYLECASTER may receive an affiliate commission.

If you’re a Swiftie, October and November were probably both thrilling and exhausting months for you—or as Taylor Swift would likely describe them, “miserable and magical”. You’ve stayed up until midnight more times than you can count (and at least once until three AM), watched every TikTok breaking down Easter eggs from the Bejeweled music video and even probably watched the third quarter of a Thursday night football game (never again, Taylor). The cryptic chaos of a Taylor Swift album release always pays off in every second that Taylor Swift provides in her profound lyricism, unmatched bridges and catchy choruses (can you tell I’m a fan?). Just when we could comfortably start listening to Midnights, Taylor Swift gave us an entirely new obstacle to obsess over, getting a ticket to her concert—and more importantly, what to wear to a Taylor Swift concert once you do.

If you strategically purchased merch, received an early access code, have connections in the music industry, or honestly just have good Karma, congrats—you may have gotten very lucky with a ticket. Tips for getting your hands on a ticket to Swift’s highly anticipated tour have been circling the internet but snagging a seat is only half the struggle—once you get a ticket, you’re still going to need an outfit.

Taylor Swift has deemed this stadium tour the “Eras Tour” which means that fans will get to revisit and reminisce every musical genre and aesthetic that Swift has masterfully created. In total, if you don’t count her re-recorded albums as new eras, Swift has created 10 complete worlds to dance around in which means there are plenty of concert looks to choose from.

Maybe you consider yourself an OG Swiftie and want to show off your “I knew her before she was big” energy and wear a pair of debut-inspired cowboy boots. Or maybe, you had tickets to a canceled Lover Fest show and never got to wear your rainbow glitter ensemble. Whether you’re a flannel-shirt-wearing Evermore stan or prefer the glam of the Midnights era, Taylor Swift’s Eras tour is your guaranteed opportunity to dress up.

If you’re feeling conflicted about what to wear, go ahead and shake off the pressure because I’ve broken down potential concert looks, era by era.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; Adobe. Design: Sasha Purdy/STYLECASTER.

Taylor Swift’s country era is where everything began. If you went to one of her first concerts, you may still have an early 2000’s look in your closet (or if you’re really lucky, an old concert t-shirt). Swift’s early career wardrobe consisted of country-meets-boho dresses, cowboy boots and long curly hair (with an epic side-part).

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Free People.

Adella Slip

This Free People slip looks exactly like something 2006 Taylor Swift would wear—but, it’s modern enough to wear beyond the concert! This one is available in three colors.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Dingo.

Out West Cowboy Boot

Cowboy boots are just as much of a wardrobe staple as a Taylor Swift staple right now. This suede pair is certainly worth the investment and will get a lot of use in your closet.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Dtja Store.

Boho Long Fringe Earrings

No country princess look is complete without a pair of boho earrings. This colorful pair
won’t break the bank.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; Adobe. Design: Sasha Purdy/STYLECASTER.

The Fearless aesthetic is a more playful version of the original Taylor Swift look—think more sparkles, more glam and anything that relates to the You Belong With Me music video. You can play into either look or better yet, have each person in your friend group wear one!

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Fruit Of The Loom.

Woven Sleep Pajama Pant

Recreate the iconic window scene from the You Belong With Me music video by wearing this pair
of plaid pajama pants with a DIY “Junior Jewels” t-shirt.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of GQueen.

Non-Prescription Rectangular Glasses

The window scene look isn’t complete without thick-framed glasses. This pair
is perfect and under $15.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of River Island.

Silver Sequin Slip Mini Dress

Throw it back to the Fearless tour era which included lots of sparkly silver mini-dresses and wear this fun slip dress.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Bellini Cowboy Boots.

Silver Metallic Pointed-Toe Slip-On Cowboy Boots

Not only will you be in your best dress fearless but you’ll be in your best cowboy boots too. This metallic pair will be cute and comfortable for dancing the night away.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; Adobe. Design: Sasha Purdy/STYLECASTER.

The obvious Speak Now outfit would be a full-on wedding dress (because nobody is marrying the wrong girl on your watch)—but if you want to wear something a little bit more low-key, there are plenty of options. Taylor Swift’s personal style during the Speak Now era was filled with 1950s-inspired dresses, skater skirts and quite a few scarves (foreshadowing).

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Lulus.

Purple Satin Asymmetrical Tie-Back Mini Dress

This purple mini dress is a great look-alike to the purple dress Taylor Swift famously wore during the Speak Now tour.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Journee Collection.

Olina Pump

This pair of t-strap heels are exactly like the ones Taylor Swift wore with her personal dress. While any shoe will do, this is an excellent option if you want to fully commit.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Smashbox.

Always On Cream to Matte Lipstick

Taylor Swift’s red lipstick honestly defies all eras and has become a signature look for her. This Smashbox cream to matte lipstick will stay on for hours.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; Adobe. Design: Sasha Purdy/STYLECASTER.

The ground rules for dressing for the Red era are simple: wear something red! Taylor Swift’s Red-era wardrobe consisted of high-waisted short shorts, striped t-shirts, button-downs, sparkly bodysuits, a black top hat, red heart sunglasses and oxfords. As long as you wear a combination of those items, you’re golden—I mean, red.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Zara.

This t-shirt will be a dead giveaway that you are dressed for the Red era and it’s comfy.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Zara.

High-Waisted Shorts

If there’s one clothing item Taylor Swift wore the most during the Red era it’s high-waisted mini shorts. This pair from Zara will give you the on-stage look while still being realistic to wear IRL.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Pac-Sun.

Structured Fedora Hat

If you google “Taylor Swift Red” it will become abundantly clear that the woman loves hats. A black structured fedora hat was a favorite during this time period.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Miz Mooz.

Letty Oxford Flat

It’s only a matter of time before oxfords come back into mainstream style—get ahead of the trend with this red pair.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; Adobe. Design: Sasha Purdy/STYLECASTER.

If you combine Los Angeles glamour, pop-princess flair and 1950’s style you’ll end up in Taylor Swift’s 1989 era. Filled with skater skirts, side parts, pink sparkles and pop hits, this era is for the party people.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Miss Selfridge.

Metallic Skater Skirt in Pink

Taylor Swift lived in skater skirts both on and off stage during the 1989 era. This metallic pink option looks like the one she wore on tour.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Lars Amadeus.

Glitter Bomber Jacket

I’m even surprised I was able to find such a good glitter bomber jacket look alike and it’s under $50!

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Pull & Bear.

Corset Detail Cropped Cami Top

1989 was Swift’s official crop top era—get on board with this ruched black option.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Gifiore.

Square Cat Eye Sunglasses

No 1989 look is complete without a pair of white sunglasses
.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; Adobe. Design: Sasha Purdy/STYLECASTER.

Alright Swifties, this is your time to dress for revenge and play into your hardcore alter-ego. Whether you want to go the snake route (classic) or take control of your own narrative with a glittery black outfit, you’ll be ready to show everyone what they made you do.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Thistle and Spire.

Medusa Bodysuit

This snake bodysuit is quite frankly, hot. Layer it over a black bralette, under a leather jacket or just strategically add some boob tape.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of FashionMemes Etsy.

Velvet Snakes Cape

If you’d like to twin at the concert, I will be wearing this epic snake cape over the bodysuit pictured above. It’s dramatic in the best way.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Dundas X REVOLVE.

Winona Snake Earrings

You can wear this pair of snake earrings with the full ensemble or just pair them with a black t-shirt to give subtle Reputation energy.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Abercrombie & Fitch.

Vegan Leather ’90s Straight Pants

If you don’t already have a pair of leather pants in your closet, this pair from Abercrombie will be great for both the concert and your everyday life.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; TheMegaAgency; Adobe. Design: Sasha Purdy/STYLECASTER.

You can leave your Christmas lights up until January and you can also wear a full-on rainbow glitter fantastic look to the Eras tour. If you didn’t get to attend the Lover tour and have had your outfit ready in your closet for years then this is your chance to literally shine.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Nasty Gal.

Multi Tinsel Mix Dress

I guarantee that people will stop you and ask where you got your dress if you show up to the concert in this rainbow tinsel number.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Betsey Johnson.

Blue by Betsey Johnson

Rainbow glitter sneakers are the shoe you didn’t know you needed in your life. But now that you’ve seen them, how could you not get them?

STYLECASTER | What To Wear To A Taylor Swift Concert

Image: Republic Records; Adobe. Design: Sasha Purdy / StyleCaster

The Folklore and Evermore aesthetics are obviously very similar since they are sister albums. For Folklore, you can differentiate your look by leaning into the Cardigan, Betty, August storyline. Or, if you really want to get niche, dressing as Rebecca from The Last Great American Dynasty would be so cool and unique.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Gap.

Recycled Cable-Knit Pointelle Cardigan

If you weren’t able to get your hands on one of the official Taylor Swift cardigans, this cable knit version from Gap is a great second choice.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Levis.

501 ’90s Original Jeans

Folklore has a classic, laidback feel to it which is why if you’re dressing for that era, a pair of Levis will make the perfect base for your outfit.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Free People.

Double Up Moto Boots

Whether you’re standing in the forest or in line to buy merch, this pair of moto boots will make it clear you went for a Folklore vibe.

STYLECASTER | What To Wear To A Taylor Swift Concert

Image: @taylorswift on Instagram; Adobe. Design: Sasha Purdy / StyleCaster

Evermore better be getting some love from Taylor Swift at the Eras tour (that’s all I’m saying). Show your support for what some argue is her best album (It’s me, hi) and wear your best Evermore flannel shirt or jacket—since many tour dates are in the summer, you may want to air on the lightweight side of fabric choices. Or, show up in a full-on ball gown and manifest Ms. Swift playing Champagne Problems.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Old Navy.

Boyfriend Flannel Shirt

This flannel shirt gets the Evermore vibe across while making sure you’ll feel nice and cool while you dance (or cry) all night.

STYLECASTER | What To Wear Taylor Swift Concert

Getty Images; Adobe. Design: Sasha Purdy/STYLECASTER.

Last but definitely not least, the Midnights era. This era combines Taylor Swift’s soft glam from her Folklore/Evermore phase with the tenacity of the Reputation era and the sparkles of the Lover era—basically, you have some free reign to have fun with it! Whether you’re going to re-wear your DIY Bejeweled Halloween costume or buy a whole new look, the best thing you can pair with it is confidence (and maybe an alarm clock).

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Urban Outfitters.

Antoinette Bustier Velvet Mini Dress

This mini dress is flirty and the ultimate shade of midnight blue. Plus, it’s easy to accessorize to add a little sparkle.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Asos.

Faux Fur Coat

Takes notes from Taylor Swift’s MIdnights street style and layer a fuzzy faux fur jacket over a velvet mini dress.

STYLECASTER | What To Wear To Taylor Swift Concert

Courtesy of Forever21.

Rhinestone Star Pendant Necklace

Stars are always out at midnight—shine bright with this rhinestone star statement necklace.

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Ann Licater, the New Age Recording Artist and World Flutist, Releases New Album WHISPERS FROM EARTH – Music Industry Today

Ann Licater, the New Age Recording Artist and World Flutist, Releases New Album WHISPERS FROM EARTH – Music Industry Today – EIN Presswire

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What’s it like flying Breeze to San Francisco from San Bernardino? Uncrowded – Press Enterprise

When direct daily flights between San Bernardino and San Francisco began in August, I smiled — attracting the first passenger service at San Bernardino International Airport had taken only a full decade — but I paid attention.

I’m an Ontario International Airport diehard, but its schedule to SF is light, the flights are often expensive, and why ONT’s primary airline, Southwest, doesn’t fly to SF is a mystery.

From San Bernardino, you have your choice of Breeze Airways and, uh, Breeze Airways. It’s the only airline and it offers one flight a day to and from SF. Flights continue to Provo, Utah, if that’s your jam.

I try to visit SF annually and hadn’t gone yet in 2022. Fly there from San Bernardino? Well, why not? If nothing else, the experience had humor potential, and surely I could get a column out of it, provided I survived.

I bought a round-trip ticket for $138 and, last Saturday morning, drove to San Bernardino. Parking is $5 per day. I can’t remember the last time I parked at an airport, but for $5, I’m in.

The domestic terminal at San Bernardino International Airport is seen on Nov. 12. The airport launched passenger service on Aug. 4. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)
The domestic terminal at San Bernardino International Airport is seen on Nov. 12. The airport launched passenger service on Aug. 4. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)

The airport, on the east side of town, took the place of the old Norton Air Force Base, which closed in 1994. Parking is fenced and many spaces are under shade structures. And spaces were not hard to come by.

The only thing that gave me pause was that some signage at the entry says, rather generically, “no overnight parking.” Uh, was I going to be towed from the airport?

I witnessed a total of one curbside drop-off, with hugs. Inside, the Departures terminal still had that new airport smell. The Breeze ticket counter, which is the only ticket counter, has these posted hours: 10:30 a.m. to 12:05 p.m.

If you need to know why, the electronic board showing Arrivals and Departures will explain. One flight was arriving at 11:42 a.m. One flight would depart at 12:35 p.m. That’s it.

If you need a job over your other job’s lunch break, San Bernardino International Airport might have a slot for you.

Security screening was brisk enough, especially with no body scanner to pause in, arms upraised. Think of it: We would be the only passengers going through security that day.

Up the stairs or escalator, the terminal has four gates. With only Gate 3 in operation, passengers spread out around the entire seating area.

Soon it was time to board via a jet bridge from the terminal, which I was pleased to see connected to an actual airliner. I mean, this is a fledgling service from a fledgling airport. For all I knew, we’d be taking off in a cropduster.

Passengers begin boarding the day's only flight at San Bernardino International Airport on Nov. 12, bound for San Francisco and then continuing to Provo, Utah. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)
Passengers begin boarding the day’s only flight at San Bernardino International Airport on Nov. 12, bound for San Francisco and then continuing to Provo, Utah. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)

Inside, the plane had two-seat rows and good legroom, at least at my price point. And the two seats in front of me, in a rare touch, had no divider separating the space beneath. As no one had bought the seat next to me, I could not only spread out, I could put my feet where I chose.

For my fare level (the “Nicer” fare, between “Nice” and “Nicest”) you get a bottle of water and a granola bar. Sodas and snacks are extra.

After an uneventful flight, we got into San Francisco 15 minutes early. So far, what wasn’t there to like? Unless my car got towed.

I spent four nights in the City by the Bay, the subject of my next column. Wednesday morning, Nov. 16, I returned to San Francisco International Airport for my return flight.

In the terminal, no one was working the Breeze counter. But I was early, and having checked in online, and with only a carry-on and a personal item, I didn’t need any service, instead proceeding directly through security (and its body scanner).

I checked the electronic Departures board. Its list of cities showed San Bernardino in between Salt Lake City and San Diego. Call me corny, but I felt a swell of pride.

San Bernardino's name appears on the Departures board at San Francisco International Airport Nov. 16. One flight daily by Breeze Airways leaves SFO for SBD, and vice versa. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)
San Bernardino’s name appears on the Departures board at San Francisco International Airport Nov. 16. One flight daily by Breeze Airways leaves SFO for SBD, and vice versa. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)
Passengers at San Francisco International Airport board the day's flight for San Bernardino Nov. 16. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)
Passengers at San Francisco International Airport board the day’s flight for San Bernardino Nov. 16. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)

On board, I had a two-seat row to myself again. Before we took off, the captain stood in the doorway and addressed us over the P.A., a personal touch I’m not sure I’d ever seen before.

He made self-deprecating comments about how if we’d seen him as a kid who wanted to be a pilot, we might regret our choice of airlines today. This was, he said, his fifth Breeze flight, but would hardly be his fifth landing.

“I’ve been doing it since 2004,” he assured us dryly, “so the odds are in your favor.”

After a few minutes in the air, and with the seatbelt sign off, I decided to walk the cabin. I thought that before writing a column recommending Breeze and the San Bernardino airport I ought to make sure the plane had a real restroom and not, say, a bucket on the floor.

Yes, it’s a real restroom. My walk-through of the cabin, however, showed a dismaying number of empty seats. I counted about 35 passengers for 108 seats. The Saturday flight had been fuller, albeit still with a lot of elbow room.

On the plus side, you will never be bumped from your flight in San Bernardino.

The Wednesday flight from San Francisco to San Bernardino was about two-thirds empty, says columnist David Allen, foreground. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)
The Wednesday flight from San Francisco to San Bernardino was about two-thirds empty, says columnist David Allen, foreground. (Photo by David Allen, Inland Valley Daily Bulletin/SCNG)

Breeze’s spokesman didn’t reply to me by deadline, but the company must think things are going well enough, as the airline will be adding service starting in February to Las Vegas.

“We’re beginning our descent to San Bernardino,” the pilot announced. The latter part of the flight was a bit bumpy due to the Santa Ana winds, but we landed without incident.

One of the flight crew told us: “Welcome to San Bernardino, where the local time is approximately 11:30.” I checked my watch, and she was right.

We deplaned. A man behind me told a crew member, impressed, “This is fantastic.” She replied, “Thank you!”

Outside, the parking lot had about 30 cars — including mine. My parking fee was a mere $25.


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